Monday, April 8, 2013

The First Time I Got High


The First Time I Got High
Woody Tauke
1445 words

Growing up I had a number of best friends.   As I got older and developed through the many complicated phases of childhood and adolescence they entered and left my life with some regularity.  As I changed they changed, AJ, Michael, Joey, Nick, and Steve, but despite the many differences they had, I see now one similarity.  They all found sanctuary in partying far earlier than I, and I add as a digression, far earlier than they were ready for.  Now, I use the term partying as a sort of watered down jargon for drug use.  All of the best friends I had growing up started smoking marijuana long before I did, and that is at least partially, in not wholly, responsible for their individual downfalls.    Whether it was through police intervention, college drop out, or excessive pharmaceutical self-medication we all fell victim to the old gateway cliché.  That is everyone except me.  
My freshman year of college a group of friends and I decided to lock ourselves in a door room and eat some weed cookies (edibles [as they are now known to me]).  The function of locking ourselves in was more aesthetic than anything else, and we did eventually leave, but it certainly added to the ambiance of the experience.  In typical 90’s teen movie fashion (insert title here), we had Christmas lights, blankets, and plenty of weird pictures to stare at.  The group of friends I was with were, and are, considerably better versed when it comes to drugs than I, and I’m not sure they necessarily expected to trip out as bad as I did but again, ambiance was important to us.   After dinner the group and I left the cafeteria and headed our separate ways with the understanding that we would all meet later that evening and have that experience.  I don’t remember who went out and actually got the weed cookies but I paid my five dollars and upon my arrival to my friend Xanders room one was handed to me and the door was locked.  We laughed, listened to music, and with deep breaths finally ate the cookies, which turned out to have m&ms in them (also they were less of cookies and more of just cookie dough).  I suppose that could an unspoken rule of drug dealing: you do your own baking.  Point being, and hour later we were high as hell. 
I still have video of us on my phone, I don’t remember taking the video but it’s a lot of giggling and us trying to walk in slow motion.  I make a brief cameo at one point, just long enough to laugh myself to tears before turning the camera away from my face again.  I’m not sure if I mentioned this or not but this was my first experience getting recreationally high (I broke my arm my sophomore year of high school and they gave me a twilight sedation) and I didn’t have much insight into the experience prior to eating the edible.  Most vividly I remember sitting on my friend Xander’s bed, the lower half of a bunk bed, and sleepily staring out at the room.  We had the lights low enough that it could pass as dark and things were quiet in my tiny cave.  The bed above me, and its posts framed my view perfectly as I watched, what I’m sure I thought at the time was, some serious melodrama unfold.   It felt like I was in a movie theater, a private screening, seeing a film of my best friends being generally goofy.   I still hold that idea to be pretty surreal, but where things really got wild was where my legs bent at the knees over the edge of the bed, and through what I thought was the movie screen.  I was partially in the movie and partially in my private theater.  I remember being okay with this concept, somehow able to justify the notion that I could simultaneously be in and out of a movie to myself at the time.  The night took a significant turn for the worse when my friends noticed me and started to actively break the fourth wall.  Even then I was still having a good time and eventually I snapped out of my movie mindset.
 I mentioned above not having much knowledge of what being high was like and while I knew that you got the munchies from weed it would have been nice for someone to warn me of their intensity.  I don’t remember too much of that night, I was incredibly high and a little drunk, but at some point I remember hitting this wall and not being able to think about anything except eating.  It didn’t matter what or how much it cost; I just had to eat.  As I’m sure you guessed I ordered a shit ton of pizza.  Fifty dollars worth of pizza to be specific.  How much pizza can an incredibly high freshman in college order for fifty dollars on a Friday night, you might ask?  Three 36-inch thin crust pizzas which took entirely too long to get to me (albeit time was passing much slower that night).  Their arrival wasn’t nearly as glorious as pop culture had led me to believe it would be and all I can remember doing is chomping.  Now, I use the word chomping with much consideration because I wasn’t exactly eating the pizza.  I was hardly chewing it and I certainly wasn’t tasting it.  It was just entering my body with some mild consideration for me not choking to death.  I wasn’t even really hungry in the sense that I had thought moments before, my mouth hurt from the friction, and I was relatively unaware of the pizza I was merely a vortex that could only be satisfied with Gumby’s (formerly Gumby’s, now decidedly less fun Gumba’s).   The pizza vortex never really closed that night, it merely consumed all that it could and got temporarily distracted.  That temporary distraction was an out of body experience for me, and I seemed a guest in my own life.  I watched myself, with complete disregard for my surrounds, unlock and leave that room, walk back down the hill and enter my own dorm, and eventually dorm room. 
I realize now that this was probably all motivated by my unending quest for food, but at the time I was not thinking nearly that rationally or linearly.  What I found in my freshman mini fridge was an unopened, but semi frozen, 36-oz. jar of frozen applesauce.  The night before I had started the 1998 Terrence Malick classic, The Thin Red Line, and so with my applesauce I slumped onto my futon and picked up where I left off.  It was distinctly more difficult to follow the second day in, and I to this day can’t remember much of that movie.  What I do remember is a scene when the screen goes completely black.  A full blackout only lit by the backlight on my MacBook.  That night in my dorm room (Hoben room 1), I caught my self-reflected in the Gorilla Glass of my laptop’s screen.  I had this now all but empty jar of applesauce resting against my chill, mindlessly shoveling its contents into my mouth, my eyes swollen, red, and half closed, trying to focus on the Vietnam War.   And I remember thinking “This is too much, I’ve really hit bottom.” The guilt was too much and I went to bed. 
The next morning I was left muddled, to reflect on the night before. I know now, that that was a period of experimentation for me, and I have gotten high since, but I have never been able to shake that image of my face, backlit by my computer, and seemingly haunted by all the faces of my childhood friends.  I guess I have them to thank, their individual sacrifices rather, for my sanity and grounded attitude towards “partying.”  I have a rather staunch opinion against drug use, including but not limited to weed, yet every now and again I find myself, at a party, getting high.  And I always feel the same guilt I did that night freshman year.  Is there some united factor from our childhoods that lead us down this path?  Do I do it to remember them and give myself that humility, or grounding, for lack of better words?  I’m not sure.  I just know that I can’t seem to stop myself.  Not in a scary way, I guess I just need to think about it, my childhood, and myself a little more.  Maybe I’ll give one of the gang a call, maybe not.  

11 comments:

  1. Ugh. Your voice. You're hilarious. Okay. This was a great non-pivotal moment to concentrate on—great in that party stories make good narratives (much like your wine bottle explosion), great in that it says something about our generation and great in that it can be expanded into a narrative about your friends and your collegiate relationships.

    Your voice is very distinct, except when grammatical stuff gets in the way. Also, I think people who have heard you speak know how to read you but another audience might have trouble with your asides.(Unless you organize them somehow? I don't know what I'm saying.)

    Content-wise I would only suggest that you either emphasize the role of your friend group or else emphasize your being alone so that when it comes back to your friends that's not as out-of-the-blue as it could read right now?

    See ya.

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  3. This is a really interesting topic to write about, especially given that I had similar experiences with friends in high school. I really like all of your description of your night and the chronology definitely makes it easy for the reader to imagine what you are going through, especially if they might be able to relate to a first time weed experience.

    I think that you could definitely more strongly connect your comments about your high school friends to the realizations you have at the end. I wasn’t entirely sure whether the narrator was upset that they had done it because of what they thought of their old friends and their choices or because they had some serious moral aversion to it that they couldn’t believe they had compromised. The friends should definitely be brought in at the point where the narrator is sitting alone in his room if that is the route you want the story to take.

    Aesthetically, I also think your story would benefit from a few more paragraph breaks. I know that might be nit-picky but for me it’s so much easier to enjoy a story like this when you can move from paragraph to paragraph often.

    Great job and I can’t wait to discuss!

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  4. Hey Woody,
    This piece has so much detail of memory, I really feel like the reader understands exactly what you were doing and how you felt about it. I can also really sense your voice coming through in places so it’s nice that there is narrative voice. There is so much going on, though… a lot of which really works, but some of it could use some tightening.

    I think there are a lot of unnecessary details and check-ins with the reader here. I think we understand and infer more about the story than you think. I will point to them in class. Many of the journalism pieces I read online had lots of spacing between paragraphs, and shorter paragraphs (just one or two sentences) in order to add rhythm to the piece and break it up a bit. I think you could do that here and choose to highlight your favorite details in the smaller paragraphs. I also think that would help to send the message a little more clearly, I don’t really know what to take away from this experience you had. Talk to you tomorrow!

    Charlotte

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  5. Woody,

    You have a distinct voice, and you have to figure out how to make grammar match it. You’re very funny to listen to, but you have to be clever with sentence structures and punctuation to replicate those subtleties on the page.

    I’m not sure where the payoff is in this piece. Is the climax your image in your MacBook (good image, by the way)? Is the theme about drug use and the destructive effects you claim that it has had on your friends? Your last line (a good line) seems to suggest this theme. Or is the theme about your inconsistency in swearing off weed? I think the latter offers you more opportunity to write a deeper piece. Why are you inconsistent? By the same token, why have you found it so easy to resist weed all your life when your friends haven’t? Those questions could have some powerful answers.

    Great description of eating with the munchies. Food entering your body, hurting the inside of your mouth.

    More in workshop.

    Colin

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  6. I like your part about how you feel about drug use now. Your admission to continued smoking is an interesting contrast to the story, however gives us a realistic view of how the edible experience impacted you. I think you could expand on this section (although its at the end), why do you continue to use if you feel this way. I’m curious as to your feelings and experiences since, and I think that could be a great closing. Not sure about you calling your old gang though, it seems to leave too much of an opening to a story that felt like it was over after that night.

    Additionally, I think you could chop some of the middle re: what your experience high was like. Tighten and edit this to the best pieces (we can really hear your voice here…re: How much pizza can an incredibly high…?)

    I would love to hear some dialogue from the night. What happenend when your friends starting talking to you? Why do you only use Xanders name and no one elses at this part? Tell us more about the lead up to the drug taking. Why did you do it?

    Interesting perspective into recreational drugs at school, a cool read.

    Thanks,
    Laurel

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  7. Woody,

    This is a really funny essay, and an excellent example of how a lot can be said by narrating "mundane" experiences. The narrator's shock at the grotesque image in the computer screen (bloodshot eyes, empty jar of applesauce) is absolutely hilarious--one of the funnier things that I've read thus far. It hints at the rather dark undercurrent that runs beneath this piece, which I really like.

    In fact, I think some of the strongest moments are the introspective ones. Some respected creative nonfiction author guy whose name escapes me said that creative nonfiction is scene mixed with reflection. You have hella scenes, but they seem adrift from the rather dark moments of reflection and introspection. These two threads need to be connected more.

    I also think wanted more information about these childhood friends. Their presence is obviously central to your theme, because they bookend the piece. However, though they are given names, they remain rather faceless. How exactly did drug use/partying wreck their lives? If the reader knows this, the scene with the computer screen will have more impact, because the reader knows exactly what the narrator is afraid of.

    I also found myself getting tripped up repeatedly by grammar stuff, but that should be easy to fix for the final draft.

    All in all, well done.

    Trevor

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  8. Woody,

    I think that the strongest part of this piece is your ability to go into detail with descriptions and it makes it easy for the reader to paint a picture with their mind. This is such that, in the scene about the pizza and the apple sauce, I became hungry for them and could almost taste them myself.

    Having said that, I think the piece is written more in the form of an orally-relate story and there are longer sentences that could use some cutting down. I think that this could be done by starting with some of the asides in parenthesis and working down the page in search of extra words that clutter the story. I think that the ideal would be to find a way to keep the story as rich in detail as it is right now, while simultaneously cutting out unnecessary commentary.

    Description and humor are two huge strengths in this personal essay and it was a great read overall. I am looking forward to going over it more in class. Great job!

    -Matt

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  9. I really enjoy the parts of this story where your classic "Woody" voice comes through, "formerly Gumby’s, now decidedly less fun Gumba’s," for example. Since you have such a unique way of telling stories ("a glass wine bottle exploded on my hand") you need to be very careful and conscious of how you write. It seems like parts of this essay are a simple retelling of events (we're all guilty of this at some point) but make sure that you always write your pieces how you want them to be read. Remember that we have no idea of what went on outside of your own words, so every single image and situation you want us to see you need to describe very specifically.

    The "Thin Red Line" paragraph really makes good use of your voice, and I can tell that that is the important part of this essay. There's a clear distinction between the way the beginning was written and the way that paragraph was constructed and told. Told, not written.

    Finally, make sure your friends come up again in the body of this work. You mention guilt, "hitting rock bottom," but that guilt seems to come from deep down inside of yourself, not from the failures of your friends. If you want to start your essay out discussing your friends' drug use and the trouble it caused them, make sure to link your story to theirs, or create a constant narrative, don't just mention it at the beginning and end.

    Now that all of that is said, I see this essay going great, great places. Just make sure that you're very conscious of what you're putting on the page, and try and make your knack with storytelling evident on the page, I know you can do it.

    Chandler

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